Cinema 1: The Movement Image (French: Cinéma 1. L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second...

being Cinema 1: The Movement-Image (French: Cinéma 1. L'image-mouvement) (1983). Cinema 1 and Cinema 2 have become to be known as the Cinema books, and are...

work Cinema 1: The Movement Image in which he described cinema as providing people with continuity of movement (duration) rather than still images strewn...

The Logic of Sense, p. 3. Negotiations, p. 136. What Is Philosophy?, p. 22. Negotiations, p. 123. Negotiations, p. 125. Cinema 1: The Movement Image Negotiations...

actualized, it is inseparable from the movement of its actualization." Deleuze argues that Henri Bergson developed "the notion of the virtual to its highest degree"...

philosophical analyses of cinema (Cinema 1: The Movement Image and Cinema 2: The Time-Image) develop his ideas. Following debates concerning the foundation of mathematics...

Cambridge: Cambridge University Press. Deleuze, Gilles. 1983. Cinema 1: The Movement Image. Trans. Hugh Tomlinson and Barbara Habberjam. London and New...

denotation, the cinema is a specific language.” Gilles Deleuze, Cinéma 1. L'Image-Mouvement/Cinema 1: The Movement Image (1983) and Cinéma 2, L'Image-Temps/Cinema...

g. the idea of hypertext in literary theory) with properties similar to lattices. Deleuze referred to it as extending from his concept of an "image of...

Jonathan Swift; the image of Utopia in this latter case also bears strong parallels with the self-view of the British Empire at the time. It can also...