La Cenerentola, ossia La bontà in trionfo ("Cinderella, or Goodness Triumphant") is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto...
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Cinderella (section La gatta Cenerentola, by Basile)
and she likewise finds such a job. In La Cenerentola, Gioachino Rossini inverted the sex roles: Cenerentola is mistreated by her stepfather. (This makes...
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the title role in Bizet's Carmen, Angelina (Cinderella) in Rossini's La Cenerentola, and Rosina in Rossini's Barber of Seville (all of which are also sung...
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barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from...
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sometimes are assigned feminine roles like Teodata in Flavio, Angelina in La Cenerentola, Rosina in The Barber of Seville, Isabella in L'italiana in Algeri,...
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La Gatta Cenerentola is a 1976 three-act musical, in Neapolitan language, adapted by Roberto De Simone from the sixth fable (Cinderella) of Giambattista...
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important theatres of the world, like La Scala in Milan, the Royal Opera House in London (Dandini in Rossini's La Cenerentola and Athanael in Massenet's Thaïs...
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(Teldec 1991) Rossini: La Cenerentola (Decca, 1993) Puccini: Manon Lescaut (Decca, 1993) Mozart: Le nozze di Figaro (DG, 1994) Mozart: La clemenza di Tito (Decca...
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across the United States and Europe. She made debuts at La Scala in Rossini's La Cenerentola in the 2000/01 season, the Royal Opera in Janáček's The Cunning...
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National Anthem of Uruguay (redirect from Orientales, la Patria o la tumba)
local popularity of Italian opera. It includes several references to La Cenerentola and other operas by Rossini, as well as a direct musical quotation from...
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