B'nai Yosef Synagogue

B'nai Yosef Synagogue
B'nai Yosef Synagogue, in 2020
Religion
AffiliationOrthodox Judaism
RiteSephardi
Ecclesiastical or organizational statusSynagogue
LeadershipRabbi Haim Benoliel
StatusActive
Religious featuresMurals by Archie Rand
Location
Location1616 Ocean Parkway, Brooklyn, New York City, New York
CountryUnited States
B'nai Yosef Synagogue is located in New York City
B'nai Yosef Synagogue
Location in New York City
Geographic coordinates40°36′33″N 73°58′04″W / 40.609222°N 73.967897°W / 40.609222; -73.967897
Architecture
Completedc. 1973
Specifications
Direction of façadeEast
Interior area13,000 square feet (1,200 m2)
MaterialsBrick
Website
bnaiyosef.shulcloud.com
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The B'nai Yosef Synagogue (or Congregation Bnai Yosef, formerly Magen David Congregation of Ocean Parkway) is an Orthodox Jewish synagogue located at 1616 Ocean Parkway and Avenue P in Brooklyn, New York City, New York, United States. The congregation practices in the Sephardi rite. The synagogue is considered "America's busiest synagogue for Middle and near-Eastern Jews", with over 30 prayer services daily.[2]

Built in c. 1973, it became known as The Painted Shul, because its 13,000-square-foot (1,200 m2) interior is covered in brightly painted murals, making it the only completely muraled synagogue in the world. The synagogue is also unusual in that it was built and is funded by an anonymous individual; thus members are not required to pay any dues.[1]

The congregation

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The B'nai Yosef congregation is made up of Sephardi Jews, mostly from Syria, North Africa and Iran, and the nusach (style of prayer service) is Orthodox Sephardi. The congregation is strict in its observance, with most males having had a yeshiva education.

The rabbi is Haim Benoliel.[3][4]

Synagogue building

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The synagogue was built in c. 1973 by an anonymous individual. The three-story, brick-facaded building is unremarkable from the outside. The synagogue walls have tall, smoked glass windows that allow light into the sanctuary, where an elaborate chandelier hangs over the bimah.[1]

Murals

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The synagogue is known as "The Painted Shul", because its 13,000-square-foot (1,200 m2) interior is covered in brightly painted murals, making it the only completely muraled synagogue in the world.[1][5] Every inch of wall space, including the prayer hall, is covered with murals painted by Archie Rand, professor of art at Brooklyn College, fellow of the Guggenheim Foundation, and a Laureate of the National Foundation for Jewish Culture. Rand's involvement in painting the synagogue began when, unable to pay the tuition fees at his daughter's school, he painted three murals for the school in exchange for a year's tuition. The school loved the murals and Rand was approached to paint the interior of the new B'nai Yosef synagogue.[1]

Rand had only a basic Hebrew school education, and had to engage in intensive study one-on-one with yeshiva students, including at the Lakewood yeshiva in Lakewood, New Jersey,[1] in order to learn about the symbolism that would be most meaningful to the congregation.

Completed between 1974 and 1977,[6] the work was controversial at first, with a group of community rabbis accusing Rand of idolatry. Rabbi Lopian, a local supporter of the murals, took the dispute to Rabbi Moshe Feinstein, who was regarded at the time as the de facto supreme rabbinic authority in North America for Orthodox Jewry. Feinstein declared that "the work is kosher and the spirit under which the work was done is commendable,"[1] and so Rand was able to complete his project. The murals have since become much loved within the community, and the former Sephardic chief rabbi of Israel, Rav Ovadia Yosef, has been a frequent visitor.[7]

The murals include an illustration of the bronze menorah by Benno Elkan that stands outside the Knesset in Jerusalem, and representations of the first days of creation, with the first ten things created before the first Sabbath represented by images that include a donkey's head, Noah's rainbow, and Miriam's well.[1] At the back of the prayer hall, there is a blue-circle mandala containing the meditation: "My Lord, open my lips, that my mouth may declare Your Praise."[8]

The women's section upstairs contains images of Jewish holidays, such as Rosh Hashanah and Passover, and a depiction of Rachel's Tomb.[8]

The murals, started in 1974, took three years to complete.[9]

A documentary entitled "The Painted Shul", was made about the murals and Archie Rand's experience by filmmaker Amala Lane and produced by Marji Greenhut in 2003, with minor changes made more recently in 2006. Featuring extensive footage of the stunning and widely varied painting styles, viewers get a glimpse of one of the world's few 'painted shuls'. The tradition of religious painting in synagogues is centuries old, but such murals can only be found in ruins or modest replicas. B'nai Yosef is an actively used synagogue and the murals which were painted in the early 1970s look vibrant and new today.

See also

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References

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  1. ^ a b c d e f g h McBee, Richard (April 8, 2002). "The Painted Shul: Archie Rand and the B'nai Yosef Murals Part 1". The Jewish Press.
  2. ^ "The Sephardic Arbit Experiment". Community Magazine. May 2012. Archived from the original on March 4, 2016.
  3. ^ World Directory of Sephardic Congregations United States of America[usurped], American Sephardi Foundation. Accessed February 28, 2010.
  4. ^ "Congregation Bnai Yosef". Aram Soba Newsletter. Congregation Bnai Yosef. p. 4. Retrieved September 15, 2013.
  5. ^ Steinfels, Peter (June 7, 2008). "An Artist Brings Religion Into His Work, in Big, Bold Style". The New York Times.
  6. ^ Dunne, Carey (December 16, 2015). "On Transforming All 613 Jewish Commandments into Dazzling Paintings". Hyperallergic. Brooklyn, New York. Retrieved December 10, 2023.
  7. ^ McBee, Richard (April 22, 2002). "The Painted Shul: Archie Rand and the B'nai Yosef Murals Part 3". The Jewish Press.
  8. ^ a b McBee, Richard (April 16, 2002). "The Painted Shul: Archie Rand and the B'nai Yosef Murals Part 2". The Jewish Press.
  9. ^ Schwabsky, Barry (January 25, 1998). "Art Review; A Suite in Red, With Texture and Sheen". The New York Times.
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