Humcha Jain temples
Humcha Jain temples | |
---|---|
![]() Matada Basadi | |
Religion | |
Affiliation | Jainism |
Deity | Parshvanatha, Padmavati |
Festivals | Mahavir Jayanti, Ratha Yatra, Navaratri |
Governing body | Humcha Matha |
Location | |
Location | Humcha, Shimoga, Karnataka |
Geographic coordinates | 13°51′42″N 75°12′21″E / 13.86167°N 75.20583°E |
Architecture | |
Style | Badami Chalukya architecture |
Creator | Jinadatta Raya |
Date established | 7th century |
Temple(s) | 10 |
Website | |
www |
The Humcha Jain temples or Humcha basadis are a group of temples found in Humcha village of Shimoga district in Karnataka, India. They were constructed in the 7th century CE in the period of the Santara dynasty and are regarded as one of the major Jain centres of Karnataka.[1][2] The Padmavati Basadi is the most well-known of these temples.[3]
History
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/7/77/Old_Kannada_inscription_%281077_AD%29_of_Kalyani_Chalukya_King_Tribhuvanamalla_Vikramaditya_VI_in_Panchabasti_temple_at_Humcha.jpg/220px-Old_Kannada_inscription_%281077_AD%29_of_Kalyani_Chalukya_King_Tribhuvanamalla_Vikramaditya_VI_in_Panchabasti_temple_at_Humcha.jpg)
Humcha has been a major Jain centre since the establishment of the seat of the Bhattaraka (head of Digambara institutions[4][5]) in the 7th–8th century CE by Jinadatta Raya, founder of the Santara dynasty.[1][6][7] The current structure of the Padmavati temple was built by Vira Santara in 1061 CE.[8]
Vikrama Santara built Guddada Basadi, dedicated to Bahubali, in 897 CE, and the Parshvanath temple in 950 CE.[9] The Santara rulers granted land, gold, and other gifts as offerings for worship and religious activities. Bhujabala Santaradeva, of the Chalukya dynasty, made similar grants to Bhujabala Santara Jinalaya.[10]
The Bhattaraka's seat at Humcha is one of fourteen surviving seats of the original 36.[4] The earliest inscription dates back to the 9th century CE.[6] An 11th century inscription refers to a shrine dedicated to the cult of Padmavati. The Ratta and Shilahara dynasties also worshiped Padmavati as their tutelary deity.[11] Humcha received royal patronage until Vishnuvardhana of Hoysala Empire converted to Hindu Vaishnavism in 1117 or 1132 CE.[12] A 12th century nishidhi stone mentions a woman named Piriyarasi performing Sallekhana during the reign of Mahamandaleshwar Bomma Santi Deva, a local chief under Western Chalukya Empire.[13] According to an inscription dated 1530 CE, the viceroy of Sriranganagara converted from the Franconian faith to Jainism under the influence of Āchārya Vidyananda.[14] A total of 43 inscriptions has been discovered at this site.[citation needed] According to Pārśvanātha-Padmāvatī-labdhavaraprasanna in seal, the bhaṭṭārakas of Malkheda were confirmed at the Padmavati Basadi.[15]
The basadi complex is maintained by Humcha Matha and protected by the Archaeological Survey of India.[16][2][17] The temples have since undergone repairs, renovations, and modifications.[18]
Legend
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/8/8c/Illustrative_image_of_padmavathi_mata.jpg/110px-Illustrative_image_of_padmavathi_mata.jpg)
Jinadatta, a royal prince of Mathura in the Solar dynasty, fled home after his father, Sahakara, attempted to murder him. Sahakara, under the influence of his second son Mardatta, had sought to ensure that the latter would be the successor to the throne. Jindatta fled to South India, and, heeding the counsel of Jain monk Muni Siddhanta, carried a golden idol of Padmavati on his back to protect him on his journey.[19] On the way, while resting under a kari lakki tree, Jindatta had a dream in which Padmavati told him to establish his capital at that place, with the help of people living in the forest.[20] Jinadatta proceeded to found the city of Pombuccapura (modern-day Humcha)[11] and built two temples dedicated to Parshvanatha. He also founded a shrine of Padmavati near the tree where he had his dream, installing an idol of the Goddess as presiding deity of the temple.[19][21]
Architecture
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/f/f4/Gopuram_in_front_of_Basadi_in_Humcha.jpg/170px-Gopuram_in_front_of_Basadi_in_Humcha.jpg)
The noteworthy architecture of the Humcha Basadi[22] comprises temples classified as either early phase or later phase, based on the architectural style of each. The early phase temples include a square Vimana with a small antarala and a closed mahamandapa, which is broader than the garbhagriha, and include pillars with ornate carvings. The later phase temples are constructed in a rectangular shape, crowned with Brahmachanda Sikhara in an incorporated built-in Dravidian style. The Makara torana is an important feature of the architectural style of the Santara period.[23]
Panchkuta Basadi, originally known as Urdhvitilaka (glory of the world) according to inscriptions, is the largest temple in Humcha. The temple was built in the Chalukyan style in 1077 CE by Chattaladevi, the wife of Kaduvetti, a Kadava (Pallava dynasty) chief.[10][2] Panchkuta Basadi derives its name from five garbhagriha inside the temple.[24] These five share a common plinth arranged in a row to form a navaranga, mahamandapa, and mukhamandapa in common. In front of the temple are two small shrines dedicated to Parshvanatha and Bahubali.[16] Only three idols – of Neminatha, Shantinatha, and Parshvanatha – remain of the original five in the garbhagriha of Panchkuta Basadi. The navaranga of the temple consists of ten ankanaswith and three doors, and it houses images of yaksha and yakshi Jwalamalini.[16]
Before Panchkuta Basadi is a tall, ornate pillar called a manastambha;[18] this one is known for its architectural details and is considered the best example of Jain architectural style.[25] The pillar stands on a three-tiered platform; the lowest tier displays carvings of four elephants at the four corners and another four elephants on the four faces, which are oriented to the cardinal directions; reliefs of lions appear between the elephants. A statue of Brahmadeva surmounts the pillar as the guardian yaksha.[16][21]
Pâḷiyakka Basadi is ruined temple constructed in 878 CE (Shaka year 800) according to an inscription dated 950 CE. Guḍḍada Basadi, dedicated to Bahubali, was constructed in 898 CE during the reign of Vikramaditya VI. There is another 10th century ruins of a Jain basadi believed to be dedicated to Chandraprabha.[26]
About the temples
[edit]![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/0d/Backside_view_of_Basadi_in_Humcha_%28DYK_crop%29.jpg/220px-Backside_view_of_Basadi_in_Humcha_%28DYK_crop%29.jpg)
The Jain temples in Humcha Basadi complex belong to the Digambar sect of Jainism and are considered one of the great Jain centres of Karnataka.[2] The Padmavati temple is near the same lakki tree where Padmavati told Jinadatta in his dream to build his capital. According to Jain belief, the Goddess entered the lakki tree, and the same tree is still growing beside the temple.[27] The Humcha Jain temple complex is an important centre for the cult of Padmavati. Each Friday is a particularly prominent day of worship.[28] The Panchkuta Basadi houses a golden-coloured idol of Padmavati carrying a lotus and a goad in the lower right and upper right hand, respectively, and a noose in the lower hand.[29] Two idols of Ambika belonging to the 10th and 11th century are equally noteworthy.[30]
Two smaller shrines dedicated to Bahubali and Parshvanatha stands on either side of the main temple. These structures were added later in 1075 CE.[24]
The complex includes a Humcha Matha built by Jain monks.[31] The matha premises include the Padmavathi temple, Parshwanatha Basadi, Marthanda Basadi, Bogara Basadi, Jattigaraya Basadi, and Bahubali temple.[2] Humcha also has three monolithic statues of Bahubali with heights of 12 feet (3.7 m), 10 feet (3.0 m), and 7 feet (2.1 m), respectively.[17]
- Festivals
The primary festival of the temple is Ratha Yatra of Padmavati, organised annually on the moola nakshatra day in March. Navaratri is also organised and celebrated by the temple.[2]
See also
[edit]
References
[edit]Citation
[edit]- ^ a b Rice 1877, p. 371.
- ^ a b c d e f Jaganathan 2017.
- ^ Rospatt 2014, p. 17.
- ^ a b Titze & Bruhn 1998, p. 40.
- ^ Dundas 2002, p. 123.
- ^ a b Wiley 2009, p. 96.
- ^ Sangave 1980, p. 149.
- ^ Wiley 2009, pp. 96–97.
- ^ Wiley 2009, p. 97.
- ^ a b Karnataka Gazette 1975, p. 11.
- ^ a b Nandi 1973, p. 151.
- ^ Campbell 1883, p. 229.
- ^ The Hindu 2019.
- ^ Glasenapp 1925, p. 76.
- ^ Wright 2017, p. 31.
- ^ a b c d ASI.
- ^ a b Kumar 2017.
- ^ a b Chugh 2016, p. 294.
- ^ a b Rice 1897, p. 455.
- ^ Rice 1876, p. 374.
- ^ a b Titze & Bruhn 1998, p. 39.
- ^ Chugh 2016, p. 287.
- ^ Sarvamangala 2008, pp. 3–6.
- ^ a b University of Mysore 1931, p. 6.
- ^ Chugh 2016, p. 296.
- ^ University of Mysore 1931, p. 6-7.
- ^ Rice 1897, p. 456.
- ^ Dundas 2002, pp. 213–214.
- ^ Shah 1987, p. 269.
- ^ Tiwari 1989, p. 167.
- ^ Rice 1877, p. 372.
Bibliography
[edit]Books
[edit]- Campbell, James M. (1883). Gazetteer of the Bombay Presidency: Ka'nara. Gazetteer of the Bombay Presidency. Vol. 15 (2 ed.). Bombay: Government Central Press.
- Chugh, Lalit (2016). Karnataka's Rich Heritage – Art and Architecture (From Prehistoric Times to the Hoysala Period ed.). Deccan: Notion Press. ISBN 9789352068258.
- Dundas, Paul (2002) [1992]. The Jains (Second ed.). London and New York: Routledge. ISBN 978-0-415-26605-5.
- Nandi, Ramendra Nath (1973). Religious Institutions and Cults in the Deccan, C. A.D. 600-A.D. 1000. Motilal Banarsidass. ISBN 978-08-426-0564-9.
- Rice, Benjamin Lewis (1876). Mysore and Coorg: Mysore. A Gazetteer Compiled for the Government of India. Vol. 2. Karnataka: Government Press.
- Rice, Benjamin Lewis (1877). Mysore and Coorg: Mysore. Vol. 1. Mysore: Government Press.
- Rice, Benjamin Lewis (1897). Gazetteer of Mysore. Vol. 2. Mysore: Government Press.
- Sangave, Vilas Adinath (1980). Jaina Community: A Social Survey. Popular library of Indian sociology and social thought. Vol. 2. Popular Prakashan. ISBN 978-03-171-2346-3.
- Shah, Umakant Premanand (1987). Jaina-rūpa-maṇḍana: Jaina iconography. Abhinav Publications. ISBN 978-81-7017-208-6.
- Titze, Kurt; Bruhn, Klaus (1998). Jainism: A Pictorial Guide to the Religion of Non-Violence (2 ed.). Motilal Banarsidass. ISBN 978-81-208-1534-6.
- Tiwari, Dr. Maruti Nandan Prasad (1989). Ambika in Jaina Art and Literature. Delhi: Bharatiya Jnanpith.
- University of Mysore (1931). Annual Report of the Mysore Archaeological department (PDF). Bangalore: Government Press.
- Wiley, Kristi L. (2009). The A to Z of Jainism. The A to Z Guide Series. Vol. 38. Scarecrow. ISBN 978-0-8108-6337-8.
- Glasenapp, Helmuth von (1925). Jainism: An Indian Religion of Salvation [Der Jainismus: Eine Indische Erlosungsreligion]. Shridhar B. Shrotri (trans.). Delhi: Motilal Banarsidass (Reprinted: 1999). ISBN 81-208-1376-6.
Web
[edit]- Rospatt, Alexander von (March 2014). "Jain studies". London: SOAS University of London. Retrieved 2 November 2020.
- Wright, J. Clifford (March 2017). "Jain studies" (PDF). London: SOAS University of London. Archived from the original (PDF) on 2 December 2020. Retrieved 2 November 2020.
- Sarvamangala, G. (2008). "Santaras of Humcha – a cultural study" (PDF). Shodhganga. Retrieved 3 November 2020.
- ASI. "Basadis and Inscriptions, Humcha". Archaeological Survey of India. Archived from the original on 1 November 2020. Retrieved 2 November 2020.
- "Shimoga Dist Gazetteer 1975 - History" (PDF). Karnataka Gazetteer Department. 1975.
- Jaganathan, Rijutha (22 August 2017). "Humcha's Jain heritage". Deccan Herald. Retrieved 2 November 2020.
- Kumar, R. Krishna (10 December 2017). "Tracking the lesser-known Bahubalis of Karnataka". The Hindu. Retrieved 2 November 2020.
- Prashad S, Shyam (4 November 2019). "Six secrets unearthed from an ancient village". Bangalore Mirror. Retrieved 13 December 2020.
- "Partially damaged Nishidhi stone inscription found". The Hindu. 4 November 2019. Retrieved 13 December 2020.
External links
[edit]Media related to Humcha Basadis at Wikimedia Commons