List of works by Guido Cagnacci
This incomplete list of works by Guido Cagnacci contains paintings and drawings in a variety of genres. Titles and dates often vary by source.
List of works by year
[edit]Image | Title | Date | Dimensions | Collection | Medium |
---|---|---|---|---|---|
![]() | The Virgin and Child with Saints Sebastian, Roch and Hyacinth | c. 1620–1625 | 320 × 190 cm | Oratory of San Rocco, Montegridolfo (Montegridolfo) | Altarpiece[1] |
![]() | The Procession of the Holy Sacrament | 1627–1628 | Museum of Saludecio and Blessed Amato (Saludecio)[a][1] | ||
![]() | The Virgin and Child with Three Carmelite Saints: Teresa of Ávila, Mary Magdalene de' Pazzi, and Andrew Corsini | c. 1629–1631 | 335 × 230 cm | San Giovanni Battista, Rimini (Rimini) | Altarpiece[1] |
![]() | Infant Jesus between Saints Joseph and Eligius | 1634 | 241.7 × 156 cm | San Michele Arcangelo, Santarcangelo di Romagna (Santarcangelo di Romagna)[b] | Altarpiece[1] |
![]() | The Penitent Magdalene | 1637 | Santa Maria Maddalena, Urbania (Urbania) | Altarpiece[1] | |
![]() | Glory of Saint Valerian | 1642–1644 | Pinacoteca Civica di Forlì (Forlì)[c][1] | ||
![]() | Glory of Saint Mercurialis | 1642–1643 | Pinacoteca Civica di Forlì (Forlì)[1] | ||
![]() | Allegory of Human Life | c. 1640s | 118.2 × 95.3 cm | Private collection | Oil on canvas[2] |
![]() | Allegory of Human Life | c. 1650 | 115 × 94 cm | Cavallini-Sgarbi Collection (Portogruaro) | Oil on canvas[3] |
![]() | David with the Head of Goliath | c. 1645–1650 | 108.3 × 86.4 cm | J. Paul Getty Museum (Los Angeles) | Oil on canvas[4] |
![]() | David Holding Goliath's Head | c. 1650 | Columbia Museum of Art (Columbia, SC) | Oil on canvas[5] | |
![]() | The Rape of Europa | c. 1650 | Molinari-Pradelli Collection (Castenaso) | ||
![]() | Jacob Peeling the Rods | c. 1650 | 148.8 × 186.5 cm | Picture Gallery, Buckingham Palace (Royal Collection) | Oil on canvas[6] |
![]() | The Death of Cleopatra | c. 1645–1655 | 95 × 75 cm | Metropolitan Museum of Art (New York City) | Oil on canvas[7] |
![]() | The Death of Cleopatra | c. 1660–1662 | 45 × 55 cm | Pinacoteca di Brera (Milan) | Oil on canvas[8] |
![]() | The Death of Cleopatra | c. 1661–1662 | 120 × 158 cm | Kunsthistorisches Museum (Vienna) | Oil on canvas[9] |
![]() | Emperor Leopold I in Coronation Armour | c. 1657–1658 | 190 × 120 cm | Kunsthistorisches Museum (Vienna) | Oil on canvas[10] |
![]() | Saint Jerome | after 1659 | 160 × 110.5 cm | Kunsthistorisches Museum (Vienna) | Oil on canvas[11] |
![]() | The Repentant Magdalene | c. 1660–1663 | 229.2 × 266.1 cm | Norton Simon Museum (Pasadena, CA) | Oil on canvas[12] |
![]() | Head of a Woman in Left Profile, Looking Down | Undated | 22 × 25.4 cm | Nationalmuseum (Sweden) | Black chalk, heightened with white chalk on dark grey washed paper[13] |
Disputed attributions
[edit]Image | Title | Date | Dimensions | Collection | Medium |
---|---|---|---|---|---|
![]() | The Rape of Lucretia (now usually attributed to Felice Ficherelli) | c. late 1630s – c. 1640 | 163.5 x 117 cm | Accademia di San Luca (Rome) | Oil on canvas |
Notes
[edit]- ^ On 8 September 1627, the Confraternity of the Holy Sacrament in Saludecio commissioned Cagnacci to decorate its chapel in the parish church of San Biagio. The painting was later moved out of the church and into the local museum.[1]
- ^ In August 1634, the Compania of the Carpenters and Blacksmiths of Santarcangelo di Romagna commissioned Cagnacci to paint an altarpiece with their two patron saints, Joseph and Eligius, for their chapel in Sante Croce. The painting was later moved to San Michele Arcangelo, the church where Cagnacci was baptised.[1]
- ^ Between 1619 and 1636, a new chapel was built to house the Madonna of the Fire, the most sacred image in Forlì. The chapel was attached to the left nave of the cathedral of Santa Croce. In 1642, Cagnacci was commissioned for two quadroni ('large paintings') to decorate the dome of the chapel, representing the patron saints of the city: Valerian and Mercurialis. In 1699, they were removed and placed somewhere else in the cathedral. In 1851, they were moved to the Pinacoteca Civica di Forlì.[1]
References
[edit]- ^ a b c d e f g h i j Salomon, Xavier F. (30 November 2016). "Travels with Cagnacci". The Frick Collection. Retrieved 22 August 2022.
- ^ Cox, Lucy (5 July 2018). "Live Auction 14772 | Lot 38 | Guido Cagnacci (Sant'Arcangelo di Romagna 1601-1663 Vienna) | Allegory of human life". Christie's. Retrieved 22 August 2022.
- ^ Caliandro, Christian (11 August 2016). "Guido Cagnacci, Allegoria del Tempo (La vita umana), 1650 ca". Artribune. Retrieved 22 August 2022.
- ^ "David with the Head of Goliath (Getty Museum)". Getty: Resources for Visual Art and Cultural Heritage. Retrieved 22 August 2022.
- ^ "David Holding Goliath's Head". The Columbia Museum of Art. Retrieved 22 August 2022.
- ^ Whitaker, Lucy; Clayton, Martin (2007). The Art of Italy in the Royal Collection: Renaissance and Baroque (PDF). London: Royal Collection Enterprises Ltd. p. 304.
- ^ "Guido Cagnacci | The Death of Cleopatra ca. 1645–55". The Metropolitan Museum of Art. Retrieved 22 August 2022.
- ^ "Death of Cleopatra". Pinacoteca di Brera. Retrieved 22 August 2022.
- ^ "Selbstmord der Kleopatra". Kunsthistorisches Museum Wien. Retrieved 22 August 2022.
- ^ "Kaiser Leopold I. (1640-1705) im Krönungsharnisch". Kunsthistorisches Museum Wien. Retrieved 22 August 2022.
- ^ "Hl. Hieronymus". Kunsthistorisches Museum Wien. Retrieved 22 August 2022.
- ^ "The Conversion of Mary Magdalene". Norton Simon Museum. Retrieved 22 August 2022.
- ^ "Head of a woman in left profile, looking down". Nationalmuseum. Retrieved 22 August 2022.
Further reading
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Wikimedia Commons has media related to Guido Cagnacci.
- Pasini, Pier Giorgio (1986). Guido Cagnacci: pittore (1601–1663): catalogo generale. Rimini: Luisè. [Italian]
- Salomon, Xavier F. (2016). The Art of Guido Cagnacci. New York: The Frick Collection. [English]