Salman Toor

Salman Toor
Born1983 (1983)
Lahore, Pakistan
NationalityPakistani
EducationOhio Wesleyan University - BFA (2006) Pratt Institute - MFA (2009)

Salman Toor (born 1983)[1] is a Pakistani painter based in the United States. His works depict the imagined lives of young men of South Asian-birth, displayed in close range in either South Asia and New York City fantasized settings.[2] Toor lives and works in New York City.[1]

Biography

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Salman Toor was born in 1983 in Lahore, Pakistan. He made pictures when he was a child, drawing his imaginary friends and scenarios.[3]

He attended Aitchison College.[4] Toor came to the United States to attend school at Ohio Wesleyan University, where he received a Bachelor of Arts degree in 2006.[5] He then obtained his MFA degree from Pratt Institute in Brooklyn in 2009.[6]

Toor is a part of a loosely-affiliated group of LGBTQ painters, sometimes called the New Queer Intimists,[7] which also includes contemporaries Doron Langberg, Louis Fratino, Kyle Coniglio, Anthony Cudahy, TM Davy, and Devan Shimoyama.[8][9]

In 2019, Toor was awarded a grant from the Joan Mitchell Foundation.[10]

From 2020 to 2021, Toor's recent paintings were the subject of a solo exhibition, Salman Toor: How Will I Know at the Whitney Museum of American Art.[11][12][13] From 2021 to 2022, Toor's painting, Museum Boys (2021) is on view at the Frick Collection; as part of the artist residency and the exhibition, Living Histories: Queer Views and Old Masters where it is placed in a room in conversation with two paintings by Johannes Vermeer, Officer and Laughing Girl (made between 1655 and 1660) and Mistress and Maid (c. 1667).[14][15] In 2022, in an exhibition similar to that at the Frick, Toor's works were placed in conversation with old master painting's from the museum's collection in the exhibition No Ordinary Love at the Baltimore Museum of Art in Baltimore, Maryland.[16] In 2023, the exhibition will the voyage in a traveling modified version to the Rose Art Museum at Brandeis University and will be placed in concert with their European classic paintings as well.[17]

Toor's work is included in such museum collections as the Whitney Museum of American Art[18] and Museum of Contemporary Art, Chicago.[19]

Work

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Toor has described that his work is concerned with various themes, such as the treatment of brown men and young people in public and private spaces and the role of technology in daily life.[20] Curator Ambika Trasi has noted, ”They are ruminations on the identifications variously imposed on and adopted by queer South Asian men living in the diaspora”.[20] In doing so, Trasi has written that Toor aims to include brown men in the art historical canon that is often missing this representation.[20]

Growing up in Pakistan, Toor explained an interview that he drew inspiration from Pakistani advertisements.[20] Once he began to focus more on art, Toor found inspiration in paintings from the Baroque, Neoclassical, and Rococo eras.[21] Specifically Toor describes being inspired by Van Dyck, Peter Paul Reubens, Caravaggio, and Watteau.[21] Curators note Toor's art historical knowledge makes its way into his work.[20][22] For example, critic and curator Joseph Wolin observes that Toor's The Bar on East 13th directly references Manet's A Bar at the Folies-Bergere.[22]

In terms of his figuration, Toor has explained, “I like these seemingly undernourished and hairy bodies of color inhabiting familiar, bourgeois, urban, interior spaces. I see these boys or men as well-educated, creative types discovering what it means to live an artist’s life in New York City and in the thick of changing ideas about race, immigration, and foreignness, and also what it means to be American. Sometimes they can look like lifestyle images. They are also fantasies about myself and my community."[21]

Curators have noted Toor's paintings make use of bright, saturated colors to evoke emotion.[20] Green is one of the most notable colors in his work. The artist cites the “nocturnal"[21] quality that green can give to a painting, as well as its conflicting associations with poison and glamor. Toor works from memory and often depicts his friends in his paintings. Toor illustrated Amitav Ghosh's 2021 book in verse, Jungle Nama.[23]

Art Market

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According to salesroom, Toor has performed well in the art market since 2020.[24] While working in Pakistan, collectors Taimur Hassan and Kiran Nadar frequently purchased his work.[24] After moving to New York, curators noted a change in style less reliant on master studies.[21] Toor's Whitney show sold almost entirely before opening to museum benefactors.[24][20]

Toor's first appearance in the auctions was on the 20th of October at Phillips Auction House in London where Aashiana (Hearth and Home) sold for £138,600, double its estimate.[25] On December 15, 2020, Liberty Porcelain (2012) went for £378,000 at Phillips Auction House in London.[26] In June 2021 at the Phillips Auction House in Hong Kong, Girl with Driver (2013) sold for $890,000, which was five times the estimated price.[27]

Exhibitions

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2023 No Ordinary Love HOMA - Honolulu

2022

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  • No Ordinary Love, Baltimore Museum of Art, Baltimore, Maryland [28]

2020

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  • How will I know, Whitney Museum of American Art, New York [29]

2019

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2018

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  • Are you Here? Lahore Biennale 2018, Lahore [30]

2017

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  • Deep Ssips, Honey Ramka, New York

2016

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  • Kochi-Muziris Biennale 2016, Kochi [30]
  • Go Figure, Aicon Gallery, New York [30]

2015

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  • Salman Toor: Drawings from ‘The Electrician’, Honey Ramka, New York

2014

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  • Wretch, Honey Ramka, New York[30]

2013

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  • Cinephiliac: Art Transcending Technology and Motion, Twelve Gates Art Gallery, Philadelphia[30]
  • Return of The Native, Rohtas II Gallery, Lahore[30]

2012

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  • Stop Play Pause Repeat, Lawrie Shabibi Gallery, Dubai Letters to Taseer II, Drawing Room Gallery, Lahore 2010[30]
  • All about Us, Canvas Gallery, Karachi[30]

2009

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  • Wounds, Aicon Gallery, London[30]
  • Exchange Show, Montclair University MFA Gallery, Montclair, New Jersey Pratt MFA Thesis Show, Stueben Gallery, Brooklyn[30]

2008

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  • Pratt in Lucca, Piazza del Anfiteatro, Lucca, Italy[30]

References

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  1. ^ a b "Salman Toor". Art21. Retrieved 2024-05-31.
  2. ^ Smith, Roberta (2020-12-23). "Salman Toor, a Painter at Home in Two Worlds". The New York Times. ISSN 0362-4331. Retrieved 2021-10-20.
  3. ^ "Salman Toor". Art21. Retrieved 2024-05-31.
  4. ^ Mattoo, Priyanka (2022-05-09). "The Pop Song That's Uniting India and Pakistan". The New Yorker. Retrieved 2022-05-09.
  5. ^ Stone, Julia (2016). "Reimagining His Roots, East and West". Ohio Wesleyan University. Retrieved 2021-10-20.
  6. ^ Wilkin, Karen (March 2021). "Salman Toor at the Whitney by Karen Wilkin". newcriterion.com. Retrieved 2021-10-20.
  7. ^ "Doron Langberg and the New Queer Intimism". Jewish Currents. Retrieved 2021-10-20.
  8. ^ Truax, Stephen (2017-11-07). "Why Young Queer Artists Are Trading Anguish for Joy". Artsy. Retrieved 2019-06-13.
  9. ^ Alessandrini, Christopher (2019-05-18). "'Boys Do It Better': The Paintings of Louis Fratino". The New York Review of Books. Retrieved 2019-06-13.
  10. ^ "Salman Toor". Joan Mitchell Foundation. 25 September 2019. Retrieved 2021-10-20.
  11. ^ "Painter Salman Toor Depicts Contemporary Queer Life". Observer. 2021-02-22. Retrieved 2021-10-20.
  12. ^ Wu, Simon (28 December 2020). "Salman Toor at Whitney Museum of American Art". Artforum.com. Retrieved 2021-10-20.
  13. ^ Murphy, Peter (2021-02-02). "Salman Toor: How Will I Know". The Brooklyn Rail. Retrieved 2021-10-20.
  14. ^ "Contemporary paintings will hang with the Frick's Old Masters in new art series". The Art Newspaper. 2021-09-27. Retrieved 2021-10-20.
  15. ^ "Living Histories | the Frick Collection".
  16. ^ "Salman Toor: No Ordinary Love | Baltimore Museum of Art".
  17. ^ "Salman Toor: No Ordinary Love".
  18. ^ "Salman Toor". whitney.org. Retrieved 2021-10-20.
  19. ^ "Salman Toor". Museum of Contemporary Art, Chicago (MCA). Retrieved 2021-10-20.
  20. ^ a b c d e f g "The Self as Cipher: Salman Toor's Narrative Paintings". whitney.org. Retrieved 2022-02-17.
  21. ^ a b c d e "Blurring the Lines between Public and Private: Salman Toor Interviewed by Cassie Packard - BOMB Magazine". bombmagazine.org. 12 February 2021. Retrieved 2022-02-17.
  22. ^ a b Wolin, Joseph. “Telling Details: THE PAINTED LIFE OF SALMAN TOOR.” Border Crossings 40, no. 1 (May 2021): 106–11. https://search-ebscohost-com.ezproxy.bu.edu/login.aspx?direct=true&db=aft&AN=150277397&site=ehost-live&scope=site.
  23. ^ Biswas, Sneha (2022-03-04). "Jungle Nama: Ghosh's adaptation of a mystic folktale from the Sundarbans Amitav Ghosh, Salman Toor, Jungle Nama, HarperCollins Publishers India, 2021, 88 pp., ISBN 978-9353579128 (Hardcover)". Journal of Social and Economic Development. 24: 237–239. doi:10.1007/s40847-022-00178-0. ISSN 0972-5792. S2CID 247267115.
  24. ^ a b c Gleadell, Colin. 2021. “A Pandemic Chronology: Part Two: From Frieze to the US Election.” Art Monthly, no. 444 (March): 43–45. https://search-ebscohost-com.ezproxy.bu.edu/login.aspx?direct=true&db=aft&AN=148914352&site=ehost-live&scope=site.
  25. ^ "The Hot, the Cool & the Lukewarm: Phillips $34 M. London Evening Sale Sees Competition for Emerging Names". Art Market Monitor. 2020-10-20. Retrieved 2022-02-24.
  26. ^ Gleadell, Colin. 2021. “Salerooms: A Pandemic Chronology Part Three: The Last Lap.” Art Monthly, no. 445 (April): 43–45. https://search-ebscohost-com.ezproxy.bu.edu/login.aspx?direct=true&db=aft&AN=149588879&site=ehost-live&scope=site.
  27. ^ Gleadell, Colin. 2021. “Salerooms.” Art Monthly, no. 449 (September): 44–45. https://search-ebscohost-com.ezproxy.bu.edu/login.aspx?direct=true&db=aft&AN=152240571&site=ehost-live&scope=site.
  28. ^ "No Ordinary Love". BMA. Retrieved 2022-09-12.
  29. ^ "About". whitney. Retrieved 2020-04-08.
  30. ^ a b c d e f g h i j k l m "About". salmantoor. Retrieved 2022-02-24.
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